Artificial Continuum
Showing posts with label Joe Johnston. Show all posts
Showing posts with label Joe Johnston. Show all posts
Saturday, July 23, 2011
Captain America: The First Avenger-Review
The pieces are now in place. With this weeks release of Captain America: The First Avenger Marvel has officially assembled its Avengers on screen. Yet how do does its final hero stand amongst the ranks of its fellow blockbusters? Captain America is easily the best Marvel Studios film released in recent years, but it may not be enough to dethrone the Studio's spectacular start with Jon Favreau's Iron Man.
A weakling his entire life, Steve Rogers (Chris Evans) wants nothing more to serve his country alongside his best friend Bucky Rogers (Sebastian Stan). With a war waging in Europe, Rogers wants not only to do his part, but ,as a man who has been picked on constantly since birth, to stand up to the world's ultimate bully the Nazi Party. Opportunity presents itself in the form a super serum created by former German scientist Dr. Abraham Erskine (Stanley Tucci), who finds Rogers to be the perfect test subject, much to the chagrin of Col. Chester Phillips (Tommy Lee Jones). Rogers, joined by technological genius Howard Stark (Dominic Cooper) and the beautiful British agent Peggy Carter (Haley Atwell) finds himself soon part of a sect of the war that he never knew existed.
Captain America as directed by Joe Johnston plays out like a classic adventure film, very much in vein of Raiders of the Lost Ark. The plot contains creative set pieces, snarling Nazi villains, a bombastic heroic score, an often clever style of humor, mystical weapons from god like powers, and moments of godlike heroism. It would not seem strange at all to find Captain America and Indiana Jones fighting side by side against HYDRA agents.
This in many ways is one of the films only faults. Although this sense of adventure often pays off through exciting action sequences and clever moments throughout, Captain America at times does not execute this design choice as effectively as it should. The opening sequences of the film often feel awkward, as Johnston attempts to ease into the world he has created. While Rogers's spirit is endearing, he at times feels one and almost saint like in his weakling heroism. This disappears as the film progresses, but those awkward moments at the films start are enough to drag the film down ever slightly. The classic sense of adventure also sometimes strays away from fun and into fleeting points of corniness, which isn't helped by the film's heroic and sometimes bombastic score.
Despite this flaw, Captain America excels as blockbuster entertainment and as a film. The plot is fun and for the most part cleverly paced. The action scenes are exciting and surprisingly brutal for a Marvel film. The film even portrays one of the best romances to grace a comic book adaptation since Spider-man 2. You will never find yourself bored. The characters are engaging, the action is exciting, and the humor is surprisingly funny. Michael Bay could learn a lesson or two from Johnston on how to tell a joke in a summer action flick.
However, the real stars of Captain America are, oddly enough, its actors. Chris Evans is a empathetic and powerful lead. Despite early scene script pratfalls, Evans sells Rogers as an earnest hero at heart. He creates a hero, that while lacking the depth and energy or Robert Downey Jr's Tony Stark, proudly stands amongst Marvel's heroes.
Even then, it is the supporting cast that truly steals the show. Haley Atwell is largely who sells the compelling romance of the film, and also plays a pretty fun WWII era spy. Dominic Cooper creates a Howard Stark that is every bit the father of the Tony we have come to love. Hugo Weaving plays the villainous Red Skull with brilliant Nazi evil, making a villain that could have easily done battle with a certain archaeologist. Sebastian Stan is also notable as Roger's childhood sidekick. Yet, the real scene stealer is Tommy Lee Jones's Col. Phillips. Jones has an undeniable screen presence and delivers the majority of the films humor with unbreakable deadpan.
If the script had been a bit tighter in its portrayal of the environment and the growth of Rogers as the title character, The First Avenger could have easily become the best. However as it stands now, Captain America stands as a great entry into the Marvel mythos.
Score: B+
A weakling his entire life, Steve Rogers (Chris Evans) wants nothing more to serve his country alongside his best friend Bucky Rogers (Sebastian Stan). With a war waging in Europe, Rogers wants not only to do his part, but ,as a man who has been picked on constantly since birth, to stand up to the world's ultimate bully the Nazi Party. Opportunity presents itself in the form a super serum created by former German scientist Dr. Abraham Erskine (Stanley Tucci), who finds Rogers to be the perfect test subject, much to the chagrin of Col. Chester Phillips (Tommy Lee Jones). Rogers, joined by technological genius Howard Stark (Dominic Cooper) and the beautiful British agent Peggy Carter (Haley Atwell) finds himself soon part of a sect of the war that he never knew existed.
Captain America as directed by Joe Johnston plays out like a classic adventure film, very much in vein of Raiders of the Lost Ark. The plot contains creative set pieces, snarling Nazi villains, a bombastic heroic score, an often clever style of humor, mystical weapons from god like powers, and moments of godlike heroism. It would not seem strange at all to find Captain America and Indiana Jones fighting side by side against HYDRA agents.
This in many ways is one of the films only faults. Although this sense of adventure often pays off through exciting action sequences and clever moments throughout, Captain America at times does not execute this design choice as effectively as it should. The opening sequences of the film often feel awkward, as Johnston attempts to ease into the world he has created. While Rogers's spirit is endearing, he at times feels one and almost saint like in his weakling heroism. This disappears as the film progresses, but those awkward moments at the films start are enough to drag the film down ever slightly. The classic sense of adventure also sometimes strays away from fun and into fleeting points of corniness, which isn't helped by the film's heroic and sometimes bombastic score.
Despite this flaw, Captain America excels as blockbuster entertainment and as a film. The plot is fun and for the most part cleverly paced. The action scenes are exciting and surprisingly brutal for a Marvel film. The film even portrays one of the best romances to grace a comic book adaptation since Spider-man 2. You will never find yourself bored. The characters are engaging, the action is exciting, and the humor is surprisingly funny. Michael Bay could learn a lesson or two from Johnston on how to tell a joke in a summer action flick.
However, the real stars of Captain America are, oddly enough, its actors. Chris Evans is a empathetic and powerful lead. Despite early scene script pratfalls, Evans sells Rogers as an earnest hero at heart. He creates a hero, that while lacking the depth and energy or Robert Downey Jr's Tony Stark, proudly stands amongst Marvel's heroes.
Even then, it is the supporting cast that truly steals the show. Haley Atwell is largely who sells the compelling romance of the film, and also plays a pretty fun WWII era spy. Dominic Cooper creates a Howard Stark that is every bit the father of the Tony we have come to love. Hugo Weaving plays the villainous Red Skull with brilliant Nazi evil, making a villain that could have easily done battle with a certain archaeologist. Sebastian Stan is also notable as Roger's childhood sidekick. Yet, the real scene stealer is Tommy Lee Jones's Col. Phillips. Jones has an undeniable screen presence and delivers the majority of the films humor with unbreakable deadpan.
If the script had been a bit tighter in its portrayal of the environment and the growth of Rogers as the title character, The First Avenger could have easily become the best. However as it stands now, Captain America stands as a great entry into the Marvel mythos.
Score: B+
Sunday, July 25, 2010
SDCC: Captain America Footage Screened

Among the excitement created by the Avengers panel, it is easy to forget the numerous other announcements and panels Marvel has put forth this year. Among these was our first look at the upcoming Captain America adaptation directed by Joe Johnston.
Footage of both the Red Skull and the Captain himself debuted to screaming fanboys at Marvel's film panel this year. For full descriptions of the videos screened, please visit IGN.com: here.
The panel also revealed that Rogers would not be recieving the serum that makes him the title character until closer to the end of the film. It was also revealed that the final scense of the movie will in fact take place in present day.
Wednesday, July 21, 2010
SDCC 2010: Hype Builds for Thor and Captain America

Marvel is making sure to build sufficient hype for its upcoming megablockbusters based on Captain Ameirca and Thor. Both will be seen for the first time at Comic Con later this week. Not only has Marvel released some awesome poster art for both films, (Seen above and below) the official sites have launched.

Thor
Captain America
The Los Angeles time has also posted an interview with Captain America director Joe Johnston.
In it he discusses details around the character of Steve Rogers and the plot of the upcoming comic book adaptation:
"We're sort of putting a slightly different spin on Steve Rogers," said Joe Johnston, "He's a guy that wants to serve his country but he's not a flag-waver. We're reinterpretating sort of what the comic book version of Steve Rogers was."
"He wants to serve his country, but he's not this sort of jingoistic American flag-waver," Johnston added. "He's just a good person. We make a point of that in the script: Don't change who you are once you go from Steve Rogers to this super-soldier, you have to stay who you are inside, that's really what's important more than your strength and everything. It'll be interesting and fun to put a different spin on the character and one that the fans are really going to appreciate."
Look for more information regarding both films in our coverage of this year's San Diego Comic Con.
Wednesday, June 2, 2010
Design For Captain America Film Revealed



After months of speculation and deliberation the look for the new Captain America costume has been revealed. Blending the traditional costume, a WWII soldier, and a more modern military look, the suit is colorful and faithful without going over the top.
My Opinion: I am actually rather pleased with this costume design. It stays faithful to the comics, but does not look utterly rediculous.
Thursday, January 14, 2010
Three more Jurassic Park Films? And Captain America Tidbits

Development hell is a word that is often associated with the dinosaur packed sequel. Originally announced in 2002, Jurassic Park IV has jumped through directors, rescripts, recasts, and states of existence. In fact, after the death of Michael Chrichton, the author of the Jurassic Park novel, many assumed the series was dead for sure. However, Joe Johnston (The Wolfman) has reportedly said that the project is in the works, and that it will be the first of a new trilogy. He had the following to say: "Well, there is going to be a Jurassic Park IV. And it's going to be unlike anything you've seen. It breaks away from the first three—it's essentially the beginning of the second Jurassic Park trilogy. It's going to be done in a completely different way. That's pretty much all I can tell you."

Also when asked about his involvment on the Captain America movie, The First Avenger: Captain America, he said: "It's not going to be a Captain America that you expect. It's something different. It is influenced by the comic book, but it goes off in a completely different direction. It's the origin story of Captain America. It's mostly period—there are modern, present-day bookends on it—but it's basically the story of how Steve Rogers becomes Captain America. The great thing about Captain America is he's a super hero without any super powers. Which is why this story, among the hundreds of super hero stories, appealed to me the most. He can't fly, he can't see through walls, he can't do any of that stuff. He's an every man who's been given this amazing gift of transformation into the perfect specimen—the pinnacle of human perfection. How does that affect him? What does that mean for him emotionally and psychologically? He was this 98-pound weakling, he was this wimp, and he's transformed instantly into this Adonis. You'd think he got everything he wanted. Well, he didn't get everything he wanted. The rules change at that point and his life gets even more complicated and dire. For me, that's the interesting part of the story. It's got some great action sequences in it and some incredible stuff that we've never seen before. But at the heart of it, it's a story about this kid who all he wants to do is fit in. This thing happens and he still doesn't fit in. And he has to prove himself a hero—essentially go AWOL to save a friend..."
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